Before academia, I was a journalist, screenwriter, and director working in Lisbon, Portugal and Macau. I write about theatre and culture. I also make theatre podcast with friends.
Here below is a repository of my writing in Chinese and Portuguese.
Theatre and Culture
《我們為什麼進劇場—解構無意義》
Why Do We Go to Theatre: The Deconstruction of Meaningless
Book
Why Do We Go to Theatre: The Deconstruction of Meaningless is a collection of essay where I investigate the culture value of theatregoing experience and understand the role of audience and spectatorship in the Asian context.
Drawing on theatre and performance studies, literary theory, and my participant-observation as a spectator at theatre festivals in Beijing and Tianjin, China, I investigate how curation of theatre festivals could be understood as a form of cultural dramaturgy.
The book was published in Chinese, by Zhengjiang Publishing United Group in 2016.
Podcast
From 2020-
In response to the global pandemic, Eternal Moon is a theatre podcast created by my friends and me. Back in 2020, theaters were shut down, and we could no longer enjoy live performances. This podcast became a way to stay each other connected when we were spread across three continents and five time zones.
Theater is a discursive space where we reject blind consensus and believe that multiple truths can coexist. In each episode, we discuss a curated topic relevant to the current moment. For example, after George Floyd was killed by the police in 2020, we revisited Julius Caesar to discuss the legitimacy of violence in politics amidst the Black Lives Matter protests.
The podcast is mainly in Chinese.
Newspaper
Article
Wen Hui Daily
11/1/ 2017
羅伯特·威爾森 《有關無的演講》 中到底有什麼?
Lecture on Nothing by Robert Wilson: What is a Lecture of Nothing?
Va Kio Daily
10/27/ 2017
里米尼紀錄劇團 《聽你的 走我的》: 環境戲劇何以解決人地矛盾？
Remote Macao by Rimini Protokoll: Could Environmental Theatre Solve Spatial Problem?
Va Kio Daily
07/15/ 2016
莊梅岩 《法吻》：一吻, 賠上了靈魂
French Kiss: a Kiss, a Loss of Soul
Caixin.com
07/05/ 2016
專訪舞者王亞男：舞蹈是意識的解放
Interview with Chinese Choreographer and Dancer Yanan Wang: Dancing is a Revolution of Consciousness
Wen Hui Daily
07/06/ 2016
德國邵賓納版 《理查三世》：舞台化身搖滾現場，表現主義能否重燃經典？
Richard III by German Theatre Director Thomas Ostermeier: Could Expressionism Revitalize the Classic?
Vertebral Theatre
01/30/ 2016
安德魯·斯科特：他是莫里亞蒂，也是莎翁筆下的哈姆雷特
Andrew Scott: Moriarty, the Hamlet of Shakespeare
Wen Hui Daily
04/15/ 2016
劊子手版 《安妮日記》：他們在焚屍爐旁跳舞、野餐、吃樹莓
Album Karl Hocker: They Dance, Picnic and Eat Strawberries Next to the Incinerator
ifeng.com
02/12/ 2016
專訪演員陳佩斯：活了這六十年，就為了這部 《戲台》
Stage by Peisi Chen: Culture Perplexity in China
Journal Puxin
Portugal
2015
賈樟柯 《山河故人》：山河不在，古人不在，言之不足舞之蹈之
Review of Mountains May Depart by Chinese Flim Director Zhangke Jia
Journal Puxin
Portugal
2015